Built in 1937 under the leadership of Edmond Brion, Bank Al Maghrib is an architectural gem that is well worth a visit during an urban stroll around the historic city center.
Located opposite the Hôtel de la Wilaya, it forms the last unit of Place Mohammed V, following the Joseph Marrast courthouse and the Laforgue Post Office.
Today, it is one of the most remarkable real estate assets in Casablanca.
Take in the sights: from Art Deco to Moroccan craftsmanship
Bank Al Maghrib is included in the list of "works of so-called neo-Moroccan adaptation architecture," thus benefiting from the traditional know-how of Moroccan artisans, but also from new techniques, such as etched glass or industrial glass paving stones also experimented in the building. Also noteworthy is the composition and ornamentation of the main façade, subject to the requirement for porticoes. Four in number, made from Triste granite, massive octagonal pillars support the entrance portico and are topped with a geometric frieze. The ochre tone of the frieze and the white background of the reinforced concrete produce a subtle monochrome complemented by the sand color of the roof cornice. Against a background of travertine set with green squares from Taza, the immense wrought iron entrance door stands out, with its geometric lines, and its frame in black Belgian granite. The ensemble produces a remarkable effect both through the contrast of shapes and materials.
From meticulous detail to architectural innovation
Inside, a vast hall is covered by the largest glass roof in Casablanca. Openworked in walnut, it is one of Bank Al Maghrib's most successful and best-preserved works. The choice of a diverse range of Moroccan marbles contributes to the harmony of colors within this space. Thus, the entrance is surrounded by a frame of zelliges whose composition is inspired by Berber art. The back wall and the large pillars are crafted from travertine. On the small pillars and the countertops, black Skhirat marble shines. Also noteworthy are the two large tables and their stools, made of sapele mahogany and still in use today. The stripped-down spirit of the Art Deco movement is reflected in the meticulous finishing of the grand staircase leading to the first floor. Carrara marble composes the steps while the handrail is made of green Tinos marble. Upstairs are the executive offices and a waiting room, one of the building's most remarkable rooms, entirely paneled in European oak. The boardroom is clad in kosipo and maple. Its door, in marquetry of precious woods—sycamore, bubinga, rosewood, and wavy aniegre—is admirable. The furniture, in the pure Art Deco spirit, is made by Primarios and consists of brick-colored rugs, sycamore and rosewood tables, and green leather armchairs. The building has been restored with the greatest respect for Edmond Brion's work.
